When was Hummel Bassoon Concerto written?

When was Hummel Bassoon Concerto written?

He wrote it in 1811 (about five years after Hummel), as one of the pieces for which the Munich orchestra were clamouring.

How many bassoon concertos are there?

39 concertos
Vivaldi composed 39 concertos for bassoon, two of which are incomplete. After the violin, to which the composer dedicated some 230 concertos, the bassoon is the instrument for which he wrote the most concertos.

How many piano concertos did Hummel write?

eight piano concertos
He wrote eight piano concertos, a double concerto for violin and piano, ten piano sonatas (of which four are without opus numbers, and one is still unpublished), eight piano trios, a piano quartet, a piano quintet, a wind octet, a cello sonata, two piano septets, a mandolin concerto, a mandolin sonata, a Trumpet …

Are they still making Hummels?

Hummel figurines continue to be produced in the original factory in Rödental, Germany, where they have been made since 1935. They are still created with the strict oversight of the Convent of Siessen, where Sister M.I. Hummel lived and worked. In September 2017 this company also declared bankruptcy.

Are Hummels valuable?

Most Hummel figurines are worth $50-$75. Some models reach several hundred dollars. Special individual Hummel figurines can be sold for thousands and even tens of thousands of dollars.

Who is the best bassoonist in the world?

15 Famous Bassoon Players you Should Know

  • Bill Conti (1942–)
  • Martin Gatt (1936–)
  • Rachel Gough.
  • Paul Hanson (1961–)
  • Arthur Weisberg (1932–2009)
  • François Devienne (1759–1803)
  • Milan Turkovic (1939–)
  • Summing up our List of the Greatest Bassoon Players.

How many bassoon did Vivaldi write?

These included the bassoon, for which Vivaldi wrote 39 concertos, two of which are seemingly incomplete.

What is the rarest Hummel figurine?

Adventure Bound
Adventure Bound is the most rare and valuable Hummel figurine. This 8-inch figure depicts seven little boys heading out on an adventure. Models with the “Full Bee” stamp (also called the TMK-2) were created before 1959.

Are Hummels worthless?

As more Hummel figurines were produced and countless “special editions” were created, the resale value of these ceramics began to sink. The supply of Hummels just keeps growing as the generations that collected Hummels pass away, leaving behind thousands of their diminishing-value dust-collectors.

Which Hummels are worth the most money?

Some of the early models (tmk-1, tmk-2, and tmk-3) are among the highest-priced Hummel figurines ever. Large versions with Hummel numbers #142/X and #141/X can be valued at $26,000 or more, according to experts.

What is a short reach bassoon?

Code: 101854. The JP191 short reach C bassoon is ideal for new players with smaller hand spans who cannot manage the weight, or stretch, of a full size model. This bassoon is designed to get the player through the lower grades before a full size model is required.

Who is a famous musician that plays the bassoon?

Bernard Garfield is probably the most well known bassoonist in America over the past 70 years. He is a composer, teacher, and recording artist.

Is there a grand concerto for the bassoon and strings?

A sextet for piano and winds and the long-lost trumpet concerto are almost the only works played today. This undated “Grand Concerto” for bassoon and strings remained unpublished and unknown until, just recently, the manuscript turned up in the British Library.

Was Hummel a romantic composer?

As a composer Hummel looked backwards, to his disadvantage, to the efflorescence of Romanticism in the wake of Carl Maria von Weber.

Did Hummel study with Haydn?

In London, Johann not only studied with Muzio Clementi but played a concert in 1792 directed by Haydn ‘s sagacious impresario, Salomon. Back in Vienna, fifteen-year-old Hummel studied with venerable Albrechtsberger (to whom an exasperated Haydn sent the incorrigible Beethoven that same year).

When was the first performance of Hummel’s Beethoven’s Symphony No 1?

Hummel composed this work “circa 1805”; there is no record of the first performance. The soloist is accompanied by strings. Hummel ‘s father, director of the Pressburg Imperial School for Military Music, was lured to Vienna in 1785 by Emanuel Schikaneder to conduct the orchestra at his Theater auf der Wieden.